Audiovisual Album | Bī-nôr'əl Cinema
Bī-nôr'əl Cinema is an experimental audiovisual album created using field recordings, browser-based audio synthesis and footage captured during travels in Japan.
Combining urban environments, natural landscapes and digitally generated sound, the work explores the relationship between image, rhythm and perception. Moving between contemplative and immersive states, each composition uses environmental recordings and minimal visual language to create a series of atmospheric audiovisual studies.
Developed as an exploration of frequency, duration and sensory experience, the project investigates how sound and moving image can shape attention and alter the perception of space, time and environment. Rather than following a traditional narrative structure, the album unfolds as a collection of meditative audiovisual encounters rooted in observation, repetition and gradual transformation.
Created before my transition towards installation-based work, Bī-nôr'əl Cinema reflects an early interest in using technology to shape sensory experience. Many of the questions explored through the project, including perception, immersion and environmental awareness, continue to inform my work today.
Created using browser-based synthesis tools, Montāju explores the relationship between rhythm, perception and duration. Through gradual transformations in sound and image, the work investigates how repetition and montage can shape attention and immersive viewin
An audiovisual composition combining generative sound and synchronised visual rhythms. Inspired by the movement of water and light, the work explores repetition, duration and immersion through minimal audiovisual structures.
Combining synthesised sound with recordings captured in the New York subway system, the work explores the relationship between environmental sound, rhythm and perception. Pulsing visual forms unfold alongside evolving sonic textures, creating a contemplative audiovisual landscape.
An experimental audiovisual study exploring transformation through time-stretching, colour and frequency. Layered visual and sonic structures evolve gradually, revealing subtle shifts in rhythm, texture and atmosphere.
Tosatsu
Created using footage captured during travels in Japan, Tosatsu combines environmental imagery with audio-reactive visual processes. The work explores movement, observation and memory through a slow unfolding dialogue between sound and image.
Water Cycles
A meditative audiovisual composition using water as both subject and structure. Cyclical visual and sonic patterns emerge, repeat and dissolve, reflecting on change, continuity and the rhythms of natural systems.
